Smoke on the water

Controlled burn on Mt. Kobau in 2015

I noticed lately that there hasn’t been a whole lot of action on social media this summer regarding #bcwine. A quick scan of that hashtag on Twitter reveals that very few people are posting anything that involves scenery in any way, even from accounts that are normally filled with beautiful wine country views. This also includes my own twitter account as well as another for a winery that I manage.

Of course the reason is that we have been largely smoked out for most of the summer. It’s one thing to have clouds clog up the valley (which is something that happens in most winters, making it very dark all day – they don’t put that in the brochures) but it’s another thing when it is smoke from forest fires. Smoke is insidious that way. We can’t get away from it by driving up to higher elevations like we often can with clouds. It turns the sun and moon red. It also smells bad and takes away the natural aromas of the seasons.

For those of us in the industry, there could also be another odd by-product of the smoke: self-censorship.

In 2015 I posted photos of the Mt. Kobau fire near Oliver as it happened because it was interesting, so close at hand, and was part of life in wine country as I saw it. It was a controlled burn that the forestry people were doing because the conditions were perfect for it. It looked like a volcano for a couple of hours and it made some dramatic looking photos so I posted it somewhere.

I was soon sent messages by more than a few people in the industry telling me to stop because I was giving people the ‘wrong impression’ of what it was like and that it not helping to bring tourists to the valley. I was told that the media was blowing things out of proportion and that it was keeping visitors away.

That was all entirely possible. Tourism plummeted that year during the last part of the summer as people cancelled hotel bookings and changed their plans. Business was down for a lot of places and there were noticeably less people driving through the Okanagan at that time of year. The smoke from the fires (most of which was from a much larger fire across the border in the US) literally choked the valley for a few weeks that year.

The same happened this year except that the fires were nowhere near the south Okanagan and fires in the north near Peachland and Kelowna did not start until later in the summer and one is burning right now across the river from Cawston. Arguably, the smoke this year was less worse than it was in 2015 but it seemed to last a whole lot longer. By the end of August, I realized that I hadn’t seen a blue sky in weeks nor had I taken any photos at all. The landscape just wasn’t as pretty as I knew it to be and didn’t think it very interesting to document. The light was flat and diffused making everything bland, flat, and grey.

This is one reason why I chose not to document much of the scenery this summer but maybe I shouldn’t have self-censored so much. The point of documenting something is to be able to recall it properly later. The Okanagan that pretty valley with a big lake in the middle  all year long – there are some really dark days in the middle of the winter that are just depressing, but nobody visits here at that time for the same reasons as they do in the summer.

One of the major reasons that I started this blog in 2009 was to document the Okanagan’s wine industry year round, to go ‘beyond the guided tour’, and show what it was like to live, work, and be in the place that makes the wines that we love. If wine is tied so much to a place, why is it that most people only see the best facets of that place? The beautiful vineyard photos that start off every issue of Decanter show some pretty amazing places but they probably aren’t that amazing every single day of the year? Why do we sell-censor? What do we have to hide? The wines come from this place, warts and all, so why try to put such a squeaky-clean face on it all of the time? Truth is always more interesting and complex than a misleading image and if smoke is going to be part of the Okanagan’s reality in the future, perhaps due to the changing climate, then we can’t deny that. People still flock to Victoria, BC at all times of the year even though people are clearly aware of what they are in for when they go. It’s really not a place where sunshine is a forgone conclusion (although I’ve heard that this past summer was very good for sunshine).

As for me on this website, I will continue to tell it like it is. There is a lot to experience here and to miss out on it because of self-censorship is not constructive nor valuable in the long run.

Cheers from wine country!

~Luke

Why aged wines are awesome

Sometimes, opening an aged wine has its hazards. This is the carnage after removing a cork that had disintegrated.

Aged wines take courage. Aged wines take patience. Aged wines take discipline.

All three of those things take a little work and some effort on the part of the wine collector, which may be why most wines are generally consumed young. In practical purposes, it is also expensive to keep wines in a cellar for extended periods of time and most people (or restaurants) just don’t have the space to keep a worthwhile collection. With little or no exposure to the taste of aged wines, most wine lovers will rarely be able to experience the amazing aromas and flavours of an aged wine. Without any appreciation of it, aged wines have little chance to become a part of our BC wine culture.

Unless of course you have lucky enough to have a friend or coworker who can expose you to the amazing world of aged wines. For me, the first seriously aged bottle of wine that I had the pleasure of tasting happened to be from a coworker at a winery in 2008 who had brought in a bottle to share. It was an Ontario riesling from the early 1990s and was a little over 15 years old at the time when I got to taste it. I’d never tasted anything like it. It smelled and tasted like apple pie and a full bouquet of flowers that had been gently doused in kerosene. It was weird at first but became entrancing and I loved every sip.

I have tasted other aged wines since then. I have tasted verticals of BC wines from Clos du Soleil, Black Hills, Painted Rock, Osoyoos Larose, and others, some of which went back a full decade to the oldest wine in the set. I have tasted 14 year-old Pinot Noir from Burrowing Owl that tasted nearly as fresh as the day it was bottled and Icewine from Lang that was just over 17 years old at the time. All were truly memorable and utterly amazing tasting experiences.

Why do we not age our wines in BC? Master of Wine Rhys Pender has often stated that BC wine, with its higher levels of natural acidity that is the envy of other wine regions around the word, is a perfect candidate for creating long-term, ageable wines. Washington State wineries like White Heron have figured this out and have made some amazing examples like the 2003 Malbec that I had purchased while on a trip to Wenatchee in 2011. I have worked hard to save some wines for at least a little while and this is how I did it.

The trick to aging wine is to either have some good distractions or be able to hide wines on  yourself. By distractions, I mean having other wines to serve instead of the ones that you are intending to age. If you want to keep that bottle of Nota Bene or Oculus securely stowed away for an appropriate amount of time, it is best to have other wines readily available. Ideally, though not always financially practical, it is best to have multiple bottles of the same wine to try out. In my own experience, I was able to purchase a case of 2006 Nota Bene and it became our special occasion wine that we opened only on our anniversary or some other special dinner. Choosing our anniversary was a great way to do it because that meant that we only really opened one bottle each year. That made the wines last a long time until the last one was approaching 9 years of age (from the vintage date) by the time is was consumed.

The other option is somehow to hide the wines on yourself. For me, I put them in my wine rack where I have carefully labeled some of the wines with neck tags on them. For the wine that I really want to disappear, I actually put them lower down in the collection and I simply do not label them. It’s as easy as that. The labeled wines stand out more and I will naturally head for those wines first. It’s not failsafe, but it is surprising how much longer a wine will last if it doesn’t have any attention drawn to it.

If you are looking for something that will really go the extra mile, consider a larger format bottle such as a magnum or a double-magnum. These are not as uncommon as they used to be although you might have to go to the winery’s own wineshop to purchase these. Larger format bottles age more slowly than standard 750ml bottles because the ratio of wine volume to surface area of the cork is much greater. Therefore, the flow of oxygen into the bottle (the rate of “oxygen ingress”, according to those in the cork trade) is is about the same but the volume of liquid inside the bottle is much greater so the wine ages slower. The ratio of the ullage (the air space between the wine and cork) is also correspondingly smaller compared to the volume of the wine. Anecdotally, a magnum will add 30-50% on to the total age of the wine. If your 750 ml bottle of 2003 Oculus peaked at 10 years in 2013, the same wine in a magnum will probably be at a similar state of development right around now in 2017 or 2018. That percentage likely increases as the bottle size gets larger with double-mags, Jeroboams, Imperials, and other larger sizes but, since I’ve never owned any of those formats myself, cannot personally attest to the ageability of those sizes.

What I can attest to is that aged wines are a completely different, amazing, and engaging wine experience unlike anything else that you ever get from an old bottle of cola. There is something about wine as it ages that makes it change into something truly amazing. That does not mean that every wine gets better with age. Some of them clearly are not meant for that and some people do not like the taste of aged wines. That is purely a matter of taste. You should not ever feel guilty for opening a bottle of wine ‘before its time’ if that is the way that you prefer it. Wines don’t get better with age, they simply change. If you don’t like what they change into, then it isn’t better for you, is it?

For me, I love aged wines and I believe that there are others out there who would love them too, if only they could try them. If you have aged wines in your cellar, share them with friends and help spread the word! Aged wines are a beautiful experience.

Cheers from wine country!

~Luke

8th Generation 2011 Riesling Selection

BC Wine Culture 2017 – THANKS MILLENNIALS!

I was pouring wine samples at a liquor store recently and perusing the shelves during the lulls between customers when something occurred to me. Wine and craft beer cultures have both made a serious change to liquor stores in under a decade.

The store I was in was the average run of the mill private liquor store in a relatively average part of town. 15 years ago, it was decided not an average part of town and looked quite run down. Even still, the term ‘gentrification’ didn’t really apply to the changes that have happened in the area but it had definitely been cleaned up and was more economically active than it had been before. It occurred to me that though there were people coming in and heading straight for the Bud section and then heading to the checkouts, there were also people who were carefully looking for particular wines. On the shelf next to where I was conducting my tasting were $90 bottles of Napa Valley Cabernet Sauvignons, $120 bottles of Sauternes, and wine royalty from New Zealand and South Africa. As I stared at the $45 bottle of NZ Sauvignon Blanc (really??) I started thinking.

Then, when I realized that there was no way I could possibly afford to get all of the wines that I was thinking about, I quickly realized something else… A store like this would not have even considered bringing in those types of wines (or, more cynically perhaps, those private stores’ managers would not have even known about those types of wines) even just ten years ago. This wasn’t just a small shelf in the corner either. It was two multi-tiered shelf sections (the standard wire shelving – 3 bottles high, easy to pick from) that represented a sizeable investment in inventory on their part. The craft beer section was even bigger and filled with all kinds of bizarre and creative labels from small producers throughout the western provinces.

What has happened in the past decade?

Indeed, there has been a big shift in many ways and not just within the wine industry. Being a wine-person however, I can’t help but put most of the blame on the wine industry for leading this charge in foodie / locavore / craft-quality culture that we find ourselves now ensconced. Small boutique wineries (first called ‘cottage’ wineries before changing the name to the more erudite ‘estate’ wineries) predated what we used to called micro-breweries (now called ‘craft brewers’) in BC by almost 4 vintages. 1977 was the first vintage of the first official ‘cottage’ winery – Peachland’s Chateau John de Trepanier – and John Mitchell’s application for a small brewery at the Toller Pub in Horseshoe Bay in May of 1981. According to John Wiebe, author of the most-excellent book “Craft Beer Revolution”, BC’s craft beer “revolution owes its start to the dogged determination” of Mitchell, who inspired many more to try similar small-production brewing in their own pubs.

From a historical perspective, that is really not a lot of time but the close coincidence of craft breweries and estate wineries is hard to ignore. Estate wineries grew to include just under a dozen by the end of the 1980s and really only took off as the 1990s reached cruising altitude. Wineries were aided by the fallout from the Canada-US Free Trade Agreement which saw the creation of the BC Wine Institute and the Vintner’s Quality Alliance. Brewers never saw this same kind of government-sponsored push but regardless they managed to persevere through to the present boom where every modestly-sized city can support a small community of small independent craft brews and brew pubs.

So what has brought us to where we are? Are the small farm gate wineries suddenly producing wines that are that much better than they were in the early 1990s? Or are there simply more people paying attention? How is it that these businesses (wineries, breweries, LRSs, etc) have survived by selling high-priced bottles like this?

This is where we get to put the blame at least partially on the Millennial generation. According to a recent article in Forbes, they want ‘quality everything’. Suddenly, mass-market big-volume wines are not going to cut it at a dinner party. THANKS MILLENNIALS! Now even smaller LRS’s have to stock a bewildering array of small breweries and wineries in addition to the big brewery brands like Bud, Miller, and Coors so now we have a lot of choice. THANKS MILLENNIALS! In the words of Oscar Leroy from TV’s Corner Gas, “We’ve been bumped up into a new wine bracket!” THANKS MILLENNIALS!

Of course, once you taste the good stuff, it is really hard to go back. There are a lot of wineries, like Wild Goose for example, who have been producing wine on that level for a very long time and are now quickly getting onto the radar of those who are looking for that level quality.  Other estate wineries have also figured out about this quality quotient, sometimes taking it to an extreme and with prices to match. Is this sustainable?

As long as wine is still on the forefront of foodie fashion (arguably as much as it ever could be) and paired with favourable economics, wine will probably continue to occupy the tables of Millennials throughout their lifetime. This will no doubt be a good thing for the stability of BC’s estate wineries for the next generation of wineries and wine makers. Even though I’m technically Gen-X (“Who are they?” asked the wine industry throughout the world) and not a Millennial, I will still drink to that. Cheers from wine country!

~Luke

The 2016 LG Award Winners

It’s that time of year again when I get distracted by stats relating to the Lieutenant Governor’s Award for Excellence in BC Wine. You can find my “analysis” of the winners from 2014 and 2015. This year’s winners are a very interesting collection of wineries. Here is the complete list:

Bordertown Vineyards & Estate Winery 2013 Living Desert Red

Ex Nihilo Vineyards 2014 Pinot Noir

Gold Hill Winery 2013 Meritage Family Reserve

Hester Creek Estate Winery 2013 Syrah Viognier

Intersection Estate Winery 2013 Cabernet Franc

Kismet Estate Winery 2013 Cabernet Sauvignon Reserve

Lunessence Winery & Vineyard 2014 Riesling Icewine

Okanagan Crush Pad Winery 2014 Haywire The Bub

Quails’ Gate 2014 Stewart Family Reserve Chardonnay

Red Rooster Winery 2012 Reserve Merlot

Ruby Blues Winery 2015 Commune Viognier

St. Hubertus & Oak Bay Estate Winery 2014 Riesling

It’s an interesting set of wines. The first thing I noticed right away was that this is the Okanagan Valley’s award again. There are no other regions outside of the Okanagan represented in this year’s winners. That is tempered by the fact that many of the wineries are new, small wineries and first time winners. Kismet, Bordertown, Lunessence, and Intersection are first-time winners. Along with Gold Hill, Ex Nihilo, Ruby Blues, and Okanagan Crush Pad, who have all won an LG previously, the solid majority of the winners are from small production wineries.

In terms of the varieties, Kismet’s Cabernet Sauvignon is only the 3rd ever single-variety Cabernet Sauvignon to win, and the first since Painted Rock’s 2007 Cab that won in 2010. The first was way back in 2004 for Inniskillin (for the 2002 vintage!). Syrah continues to add numbers with Hester Creek’s Syrah Viognier blend. Except for Cabernet Sauvignon, all of the other winners come from the main varieties that account for 81% of all previous winners. Nobody snuck one in their with an Ehrenfelser, Pinotage, or anything more obscure. That makes it a little more interesting sometimes. Either this year’s awards is a little more conservative in terms of varieties or else the wine industry is starting to focus a little more on its strengths. Perhaps it’s a little of both.

Some wineries are on a streak while others that have been well established for a long time have won remarkably few awards. Ruby Blues continues to win for their Viognier. This is their 4th award for that variety in the past 5 years. Every vintage from 2011 has won it with the exception of the 12. Hester Creek picks up their 4th award in 5 years for an innovative new Syrah Viognier blend. Red Rooster continues to show us that best of the Okanagan’s diversity. They have won 7 awards in total over the years for 6 different varieties and are starting to creep up on the wineries that have won the most awards in total. By the way, those are:

Sumac Ridge – 10 

Wild Goose and Jackson-Triggs – Tied at 9 each

Red Rooster and Inniskillin – Tied at 7 each

Sandhill – 6

The lead is really up for grabs at this point. Wild Goose continues to be in the company of the major wineries owned by Constellation and Andrew Peller Ltd. and will be likely be battling it out with Peller for top spots shortly. Jackston-Triggs and Sumac Ridge  have slowed their winning ways recently and have only won a single award each since 2008 even though both used to win multiple awards each year. Inniskillin has won two since 2006 and was the last of the Constellation properties to win an LG in 2013. Conversely, the Peller properties have shown a real steady course for wins and diversity among the winning varieties and styles. Noticeably absent from any LG award is any of the Mission Hill properties, who perhaps do not enter this competition. Having all three major wine companies involved in this award over time would have been extremely interesting.

Congratulations to all of the winners for this year’s LG awards! Enjoying selling out your wines earlier than you had planned!

Cheers from wine country.

~Luke

 

 

Why the Garagistes are so important in BC

20140919-093206.jpgWhen the Garagiste North Small Guys Wine Festival first took place in 2014 at an event hosted by Meyer Family Vineyards in Okanagan Falls, I was thrilled. Super excited. And I didn’t even really know why. I went, I tasted, I interviewed (badly, as it turned out that all of the audio was unusable to a technical error on my part) as many people as I could. I really enjoyed all of the wines and found some that were absolutely stunning and for surprisingly down-to-earth prices. What was it about these producers that intrigued me so much?

In my endless research for my book on B.C. wine, I’ve noticed that many changes to the industry have happened from the ground up rather than from the top down. Innovation in the industry hasn’t come from the high pillars of education or industry research institutions, it has come from below. The small, independent wine producers are the ones who have consistently shown us the way forward in B.C. since the beginning of the modern industry in 1980 and even more in 1988 after Free Trade made innovation essential for survival in the market. Small producers are the innovators, the ones who can afford to explore new terroirs, grow new grapes, try new techniques, and package it in a new way.

If they want to be pirates, they are free to be pirates: Andrew Stone of Anarchist Mountain Vineyards, before drinking his Chardonnay...

If they want to be pirates, they are free to be pirates: Andrew Stone of Anarchist Mountain Vineyards, before drinking his Chardonnay…

This influence actually goes back much further than 1980 but that’s when the momentum really started to build. Compared to the large commercial wineries of the time – T.G. Bright’s, Casabello, Calona, and André’s – the new estate wineries were practically garagistes by comparison. The new estate wineries promoted using vitis vinifera grapes for their wines at a time when almost all of the industry institutions were telling them that they couldn’t do that and still survive. They started using small oak barrels for aging their wines and for fermentations when the large wineries rarely used any kinds of oak at all, other than large, old vats. They started newsletters, wine clubs, and websites first. They branded their wine with labels that were bright, creative images that told a story on them. When they sold their wines, they got valuable feedback from their customers right away and were able to make changes very quickly. The person that grew the grapes, made the wine, and delivered it to the customer may well have been the very same person and so was able to implement their ‘market research’ quickly.

Each time they did things like this, someone was paying close attention: the wine lovers of B.C. Wine writers in Vancouver, Edmonton, and Calgary wrote about them and wine lovers sought them out because they were different, leading edge, and above all – interesting. It wasn’t jug wine and it didn’t have a fake European-looking label on it. It looked like B.C. The labels were cut to have profiles of mountains, printed on glossy reflective paper, had cartoons on them, or were an elegantly simple logo on a large cream-coloured label. These are all examples of things that the small estate wineries did first that the larger commercial wineries then followed.

Lisa Elgert from Cana Vines

Lisa Elgert from Cana Vines

The estate wineries continue to do this today but as some of them have grown, their speed of innovation has slowed even though some of them remain as creative today as they ever were. Today’s real innovation comes from the bottom – the smallest producers who can barely afford to stay in business but are able to be as creative as they want and react quickly to the feedback. They risk practically everything they have to create their wines that they want to produce because it is their passion.

Originality. Personality. Passion. Innovation. That is what people are looking for when they go to taste a wine made from a small garagiste producer and why the industry needs the small producers to lead the way. That is why the Garagistes are so important to B.C. wine.

Cheers from wine country.

~Luke

Whose history is this anyway?

History is a funny enough thing without wine. Then when you add wine, it just gets better but a bit ridiculous. Especially in a relatively new wine region like we have here in BC. Just reading through various sources makes me wonder if what I’m writing for my upcoming book on BC wine history is going to look as good (or as silly) twenty years from now.

Some of the same events in our province’s wine history have been written about in multiple, and completely different, ways. So which one am I to take as the ONE that REALLY happened? Or did either of them happen? How much of one of them is actually more right than the other? It’s a bit frustrating for sure but not as much as finding something that is just blatantly inaccurate right after finding something that was really amazing. I have a source that has something profoundly interesting in it that I’ve never seen before in any other source. That’s the exciting part! New information! And then two pages later they’ve written something that is so utterly wrong that it’s hard to take the cool new information seriously, even though I want to.

Therapy Vineyards - never a bad experience

Therapy Vineyards – never a bad experience

It’s like going to a wine shop (which I did a lot of last year as a tour guide) and hearing something so amazingly wrong like, “Our winery was the first to plant vinifera grapes in the Okanagan in 1987.” … Hmm, no, sorry. You weren’t the first. Or the tenth for that matter. But that kind of misinformation, even if it seems trivial (they’re just tourists, who cares?) is not trivial. At some point, the proverbial fish becomes too big and it simply becomes a lie. That winery is lying to their customers. What else could they be lying about then? Hmm… when they say the wine was “oaked”, was it really 12 months in barrels or oak tea-bags in a tank for 3 months? Is that Cabernet Sauvignon really grown in Naramata like it says on the label??

That’s where proper staff training comes into play. I can tell within 30 seconds of coming into a wine shop if the staff there have been trained properly or not. They don’t even have to open their mouths, although sometimes when they do it just confirms their level of training. It’s something that I’ve written about before and drawn the ire of many an over-worked, under-staffed wine shop manager for doing so.  But if a winery can’t afford to pay all of their wine shop staff for two full days of training and team building (four days for a winery over 30,000 cases) at the beginning of the season, then they will rarely get the kind of cohesive and consistent presentation in the wine shop that will be able to sell their wine by telling their story.

Tamsin's amazing tours at Burrowing Owl

Amazing tour at Burrowing Owl

It seems silly. “What does it matter what my story is? They’re just going to taste my wine and be dazzled by it. It’s the best wine out there – they will love it! That will make them buy it.” It’s the same old “If you built it, they will come” rationale from Field of Dreams that small wineries think will happen when they start out. That’s why they don’t allocate a lot of money to proper marketing or branding either. Patrons in a wine shop (especially Canadian patrons) will rarely tell the winery outright if they’ve had a bad experience or didn’t like the wine or the service. They just won’t buy anything and leave politely without buying anything. But there is someone who they will tell with all honesty and without any reservations.

They will tell their tour guide.

I’ve heard it all about all of the wineries that I’ve visited on tours (some at which I’ve previously worked). Tour groups tell their drivers the best information about their experience and I’m glad they do. I knew that going into the job because I’ve previously told the drivers that drove me around before on tours what I thought of certain wineries and experiences. I also have friends who are tour guides. The good tour guides’ goal is to make sure that you have a great experience. That’s their job and they are always on the lookout for great experiences as well as avoiding bad ones. Want to go to a winery that has a great experience? Find one that has tour buses parked outside of it most of the afternoons (and then go back and visit them in the morning when they aren’t as busy…).

You might think that people aren’t going to like all of the wines out there and that may be a part of it. Tour guides can easily get a sense of their groups and take all comments with a grain of salt. Unlike ten years ago, there aren’t very many seriously flawed wines out there anymore. Better consultants, mature grapevines, and more technology has meant an increased level of quality in the aggregate. But I also know that if customers can’t relate to the story of the winery, through the people who tell it, they are far less likely to buy into anything that’s being sold, regardless of how good it is. I’ve taken people to wineries that I absolutely love – my favourite wineries sometimes – and if they can’t relate to the story or the people telling it, they will walk with nothing or a polite “pity-purchase”.

Kon talks about his vines at Mocojo

Kon shows us the vines at Mocojo

I’m here to tell you that the winery’s story does matter and that it matters a lot. The good thing is that nobody knows it better than the winery does so they are their own experts in a way. And when I say, “Tell your story” I mean the story of the winery, not the whole region. That’s where wine shops get derailed. I’ve heard one wine shop person talk about the amazing geology of their region and how it makes their wine awesome. Then the next shop did the same thing but the geology was completely different! That group was confused by the second shop and (surprise surprise) didn’t buy anything. Neither wine shop had gotten their story straight. The correctness of the geology aside, they should have been focusing on what their own story was rather than try to expound on the story of the region, which is largely dependant on who their consultants were and what, if any, books they’d read on the subject. Often, it’s far more of the former than the latter in which case the fish just got two sizes bigger instead of one.

Historical memory is as foggy as the morning after having too much wine the night before: You know something happened but the exact sequence of events might not be exactly what happened. So, whose history is it anyway?

It’s the winery’s. Tell your story. You know it better than anyone else. That’s what people want to hear and why they’ve bothered to come visit you. Otherwise they’d have just gone to get your wines at Save-On for 10% off.

Where there’s a wine, there’s a way

photoHey BC wine-lovin’ folks, how’s your year been going so far?

You’ve probably been wondering just what they heck is up with Wine Country BC these days? If you haven’t, well, I’m going to tell you anyways.

I am busy. Busy like I’ve never been busy in any winter before kind of busy. Podcasting took a lot of time and that’s gone by the wayside since 2014 even though I was hoping to get to it in late 2015. But now blogging itself has been taking up more time than I have to spare. So it’s been getting the back burner treatment now for the past 6 months. Which is unfortunate because it is something that I really enjoy doing. However, I’ve found lately that there are a couple of things that I enjoy doing even more.

DSC_0363No, not motorcycling, although that was a big part of the past three summers. My kids are older and more independent now, so I can’t blame them. And no, it isn’t either of my day jobs that are taking up all of my time. Music isn’t a priority this year either although I do have a new instrumental project called “Pairing Notes” that features Naramata flute player Misty Knol which is proving to be a lot of fun.

No. What is taking me away from podcasting and blogging at this time is two things with which I am having an absolute blast and love every minute of each of them. One of them I will be able to share with you when it finished. The other will get me a certificate and probably another little pin that I will probably never wear.

I have been studying for my WSET Diploma since late 2014 and this should be my final year (although it probably won’t be). My last exams are in June and the studying for this particular unit is hardcore. It deals with wine. All wines. Made anywhere in the world. I’ve got to know about them and be able to evaluate twelve of them blind and be able to answer questions about the industry worldwide. This has been my distraction for the better part of the past couple of years and it is all coming down to these last 6 months.

The one I will be able to share with you will not be released until sometime in 2017. I am writing a book about BC wine that is to be published by a familiar Canadian publishing company and it is not something that I ever thought I would do. But here I am researching like there is no tomorrow; spending time buried in public archives, traveling across the province interviewing industry pioneers and legends, and writing about the most new and interesting wine region in the world on the cusp of its debut on the world stage of wine. It’s exciting and I can’t wait to share it with you. I hope you like it.

So, as the studying and research gets compiled and the words get strung together into cogent thoughts, I will be posting here when I can but not often. Calli is also busy as she pursues her studies in Ontario to become a winemaker and will likely not have any time to contribute for a while either.

Rest assured that this is not the end of Wine Country BC, but simply a pause in the program – a grand intermission in the oenophile’s opera. Or at least a pause for this commercial message. I enjoy the medium too much to just let it go and will always be around.

Cheers from wine country!

~Luke

This year’s BC book harvest

I originally started this post back in early August because it was the first time that I could actually sit down and do some proper writing here. Jobs and other large projects had occupied my time up until that point. 

And then the fires started and priorities changed pretty quick. Since then of course, more books have appeared including Jennifer Schell’s coastal sequel to her producer-appreciation cook book “The Butcher, The Baker, The Wine and Cheese Maker” called (deep breath) “The Butcher, The Baker, The Wine and Cheese Maker by the Sea“. I have not picked up the new one yet but it is on my “To buy” list. Until then, there are these two fine BC-produced books to check out:

photo 2Two books have been appearing not inconspicuously on wine shop shelves this year and as a lover of B.C. wine for many years, I have developed a reflex to buy them as soon as a new one comes out. I have even bought some books twice or even thrice as gifts or when a new edition are released. The thrill of reading about the people, places, and wines never gets old for me even though at this point in my career I now know many of the people personally. So while I am freely open to admitting that I can go for days without having to take a sip of wine, it is a rare occurrence when I can make it through a day without reading about wine. Wine books are almost more addictive for me than wine itself.

The two new books this year are “Naramata Bench Vineyards and Wineries” by Garth Eichel and Taryn Liv Parker’s “Okanagan“. Both are regionally-focused and both contain stunning visuals with real experience-based descriptions of the profiled wineries. By that I mean that they don’t just simply review the wines and tell the ‘official’ story of the winery. Instead they try to tell you what it would be like for you to go there. This is a crucial difference from most region-specific wine books which offer a spew of generalized information – facts ‘n’ stats – about the history of the region, the terroir, the wines, and the producers of the area. This experience-oriented style makes both of these books approachable and in my opinion a more honest representation of what the reader will experience if they go to visit the same winery. The drawback is that that at times it can lack depth for people who might want to know some of those specifics.

Let’s begin with Eichel’s “Naramata Bench“.

photo 1Producing a book about a visually stunning place like Naramata and having it not be equally visually stunning would have been ridiculous. That is not the case here as the book is loaded with great photos and excellent layouts. The trick with photographing any wine region is to make it look interesting in a new way. Of all of BC’s wine regions, Naramata has probably been photographed more than any other so the onus was entirely on Eichel to show us something new and avoid clichéd shots that any tourist can capture.

He accomplishes this with diversity. Sure there is scenery – that’s unavoidable – but there are close-up details (Therapy’s weather vane), portraits of owners and wine makers, contributed older photos (Bob and Tim from Kettle Valley with their sons as toddlers), and action shots (Jay Drysdale sabering a bottle of bubbly with an axe) that make each layout exciting to look at. There’s a predictable rhythm to it and a lot of repetition (there is always a photo of someone pouring a wine at every tasting bar) but it works and shows the setting for the winery’s experiences accurately. And just like the landscape clichés, there are no “super-serious” photos of squinting winemakers holding a glass up to the light to “examine” it. Eichel thankfully has avoided this with excellent creativity with the camera. My favourite feature however is that each photo is also suitably captioned with details specific to each photo – wonder but often overlooked element in a lot of wine books.

The text rolls along fluidly and is easy to read. Interviews with the owners are the basis for the text and Eichel uses lots of direct quotes in his narrative. The wineries will tell their stories when visiting the shop in person so paraphrasing is probably not the best way to communicate the experience so this technique is refreshing and fits into the experience theme upon which this book seems based.

photo 3If Eichel’s “Naramata Bench” is Sgt. Pepper’s, full of colourful characters and stories, Parker’s “Okanagan” is the White Album, absolutely anchored to its time and place. It’s physically huge and heavy with a hard cover giving it the same imposing effect of strength similar to large pillars on the façades of banks and courthouses to denote security and authority. The blank white cover simply and elegantly adorned with the word “Okanagan” suggests something epic while the small subtitle near the bottom acts as a perfect tease to the book’s contents. Rather than loudly advertising the fact, Parker’s cover is subtle and uncluttered and let’s the colours inside the book explode more vividly when flipping through the pages.

To me, this book looks and feels more Okanagan. The rough texture of the pages, the high-contrast photos, the light sand-coloured text boxes and highlight squares throughout the book all appear more like something produced in the Okanagan to me. If anyone from around the world wants to know what it’s like to be in the Okanagan, this is the book that I would send them. The layouts give me the impression of a high school or university year book (Oh, there’s a photo of Mike! Hey, there’s Virginia!) which I believe is a perfect form for conveying that very sense of time and place. When I want to relive how I felt working in this industry in 2014-2015 (when this book was in production) I will absolutely pull this book out. It is truly a temporal work of art.

Her attempt to look at the region as a whole entity of the Okanagan not just through the obvious physical elements like geography, but also through time – history. To my delight, Parker seems to be aware of the Okanagan’s past and appreciates its influence on the present. No other B.C. wine book that I’ve read has ever included a photo of Velma Sperling, grand-daughter of Giovanni and Rosa Casorzo. Giovanni was hired by Father Charles Pandosy to work at the Oblate mission. Velma is a living link to that era of our history that roots today’s wine industry and continues to help it grow. The same land is still in the hands of the Casorso family and Velma’s daughter Ann Sperling, also photographed in this book, has a highly distinguished career as a winemaker.

Each winery’s entry gives a snapshot of their style. A list of the property’s signature wines, key varieties, and vineyards are an quick guide for anyone interested in specific varieties. The section “The Property Experience” is a point-form listing of events and special offerings. Every winery has a tasting bar, we all know that. Parker tells us more about what makes each winery unique. For those wine lovers looking for that special experience, you will find one for you while thumbing through “Okanagan”.

The biggest question I have of both books is how the wineries were chosen to be included in each one? Eichel’s “Naramata Bench” has a small section on “Other Wineries” while Parker’s “Okanagan” just doesn’t mention some wineries at all, leaving awkward holes in some of the regions. There is section on the North Okanagan but strangely, no wineries listed there. Eichel’s “Naramata” includes a near phone book of listings for places to stay, places to eat, tour companies, and travel information – all helpful items but curious for a printed book considering Google is now the de facto go-to resource for most people. Both books are self-published and must be financed somehow. However I sometimes get the impression that I’ve bought into very large advertisements, especially turning to the bizarre two-page spread on Greyback Construction, a local construction company that happens to have built many wineries. Neither book purports to be objective guidebooks or anything like that however it makes me wonder if or how the financing may have influenced the content.

This media literacy (or paranoia?) comes to me courtesy of my own “question everything” personality (or disorder?) and perhaps isn’t shared by many others, nor perhaps from the Millennial generation who care about it differently than I do. (A short stint at Simon Fraser’s Communications Department probably didn’t discourage that behaviour either…) Both books are extremely well planned and well executed highly recommend you pick up both as soon as you can. Sometimes regional books don’t make it to a second printing so don’t pass on either of these two if you see them.

Cheers from wine country!

~Luke

2015 Wildfires in Oliver – A Recap

I usually don’t get to post that much over the summer since traditionally it is a busy time of year here in wine country. The high season was generally pretty good and wineries that I got to talk to as the summer progressed were pretty optimistic about this vintage. They still are that way as the harvesting has been going on in bits and pieces for about a month at this point and is probably one of the earliest that I’ve ever heard of a grape harvest in the modern era of B.C. wine.

Regardless of how busy everything gets, it was still my intention to keep the posts going as regularly as possible. I even had a few of them nearly completed. There’s one that was hoping to have out earlier in the summer about two great new books about the Okanagan that were released this past spring.

And then August happened. I came home on August 14th to see this outside of my bedroom window. IMG_1045

About an hour later, the whole ridge that was visible from my house had burned and continued to do so for the next couple of days. Strong winds made the fire spread extremely quickly and wineries along the Golden Mile (starting at Road 13 Winery and heading south) had to figure out how to defend themselves. They did and with the help of the Oliver Fire Department, no wineries or structures were lost in that initial wildfire.

The Oliver Fire Department had more than just one fire to deal with that evening. The Wilson Mountain Fire just north of the town itself had been sparked and quickly threatened the houses that backed onto Oliver Mountain. Friends’ houses in that neighborhood were evacuated and I rushed around bringing extra boxes, cat carriers, and anything that might be needed along with making our own preparations to leave just in case. To give you an idea of just how fast that fire started, I had just driven by from Penticton at 5:45 , checked my mail at the post office, and then saw the first fire truck screaming by heading north. Only then did I see the small smoke plume coming from over the mountain. In an hour, the whole mountain would be lit up.

Then the winds changed and started blowing from the south. This stopped the wildfire’s spread towards Richter Pass. But suddenly the south Okanagan (and much of southern BC) was engulfed in smoke from the fires in Washington State. The smoke hung low like valley cloud does in the dark Okanagan winters. The worst part was that we all knew the Testalinden fire was still burning, but we couldn’t see it and the deafening silence of grounded helicopters made for a long end of August.

The winds calmed and we were able to at least see where the fire had spread. It had gone north from Testalinden Creek and spread to Hester, Tinhorn, and eventually Reed Creek in the north. Calmer winds and bizarrely cooler temperatures for that time of year meant that the forestry crews could really get to work. I counted at least nine helicopters at the Oliver Airport at one point. They were taking off and landing constantly. It was loud but necessary.

By September 9th, the forestry crews had decided that conditions were good for controlled back-burns. This was the result of the first one just behind Tinhorn Creek Winery:

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It was started by helicopters dropping little ping-pong ball-sized spheres of accelarant along with forestry firefighters with torches that burned up the ground cover. Fast. This made everything look a lot worse and quite quickly. But it was all for a good reason as the next morning there was noticeably less smoke coming from the mountain for the first time since the fire had started. Taking the dried grass ground cover removed the fuel from the fire before it got there and, reaching the burned out sections, the main fire had nothing left to burn. It was truly amazing to watch the forestry firefighters and helicopters at work. The next day, they burned up another section to the north closer to Fairview Cellars. Then suddenly one morning…

IMG_1043

…there were more clouds than smoke for the first time in at least a month. It was quite a welcome sight to see.

I tried to find a “before and after” photo and came up with these from the mouth of the now infamous Testalinden Creek, site of the landslide from 2010.

IMG_1039The top left was taken on the day of the slide in June 2010. The water is still running fast. The bottom left shot is after one year had past in June of 2011. Even after a wet spring, the brown sage-covered hills contrast with the irrigated farmland that begins on the slope. The photo on the right was taken Sept 15th, 2015, the dark green and brown hillside is now turned to matte black. Most of the mountain is that color now. This is above Hester Creek. The Hester Creek Villas are the red roof buildings on the bottom right:

IMG_1040Tinhorn Creek Winery got close to the action as well:

IMG_1041

Road 13 Vineyards was in the thick of it on the very first night of the fire on August 14th.  IMG_1042The red marks on the hillside on the top right of the photo are strips of fire retardant that they managed to lay down to stop it from spreading north.

The Oliver Fire Department had begun a fundraising campaign to help out with the victims of the Rock Creek wildfire. We were extremely lucky here with our wildfire situation but Rock Creek was not so lucky and a lot of people north of that town lost their homes. The OFD’s fundraising is now focused on purchasing a wildland firefighting unit (similar to this one) for the Rock Creek / Midway fire department. The OFD has two units and found them both to be “invaluable” in the fire fight on August 14th and in the days after that. They can easily be mounted onto a pickup truck. The Rock Creek fire department apparently does not have one of these units so the OFD is now trying to help purchase one for them. They will be selling t-shirts to raise money. This is the artwork:

hold-the-line

Click on the photo above to go to their facebook page for more information or search facebook for “OFD T-shirt Fund Raiser 2015”.

Thank you all for your concerns and thoughts to us in wine country this summer, through tweets, messages, and posts. It was a wild one for sure. The hills may look a little different next time you are in town but we’re all still here working hard in the wine industry among others. Cheers to you from wine country.

~Luke